

About
Named "one of Portland's most distinct creative voices," Dawn Jones Redstone (she/they) is a queer, Mexican American writer/director whose films are known for their emotional resonance, imaginative storytelling, and a commitment to centering women of color. As a Mexican American filmmaker and granddaughter of cotton pickers, her work pays tribute to those who came before while insisting on the visibility and humanity of Latine people in a country that too often erases them. Currently in development on the absurdist dramedy feature Nina Reyes and the Feeling Machine, Dawn creates films that explore resistance, emotion as spirituality, and identity.
A self-taught filmmaker, she came to directing after years as a union carpenter, her award-winning feature film Mother of Color raised $200K through creative producing and is now streaming on major platforms, continuing to resonate with audiences for its cultural relevance and depth. Her first short film Sista in the Brotherhood won numerous awards, was distributed by Collective Eye, purchased by the U.S. Department of Labor, and tweeted about by Oregon's Governor.
Dawn is the founder of Hearts+Sparks Productions, a sole proprietor, equity-driven production company that collaborates with community-minded organizations and companies to deliver stories with a cinematic voice. As a commercial director, Dawn has brought her narrative sensibility to brand storytelling, balancing her independent film work with professional directing experience.
Her films are rooted in cinema as an empathy machine, having seen how storytelling has the power to heal and connect, as much as educate and challenge. Her short film Dirteater is currently in development as a proof of concept for a feature-length supernatural drama, partially funded by the Milagro Theater. Her proof-of-concept short The Feelings Project explores emotional rehabilitation through the absurd, with her signature blend of heart and surrealism.
A speaker and educator, Dawn serves as a mentor for Women in Film PDX, and previously taught for Portland Film Festival and Desert Island Studios. She uses her hiring decisions to elevate underrepresented voices, helping to bring much-needed perspective to both the film industry and the world we live in.
She lives in Portland, Oregon, building a career rooted in bold vision, community, and heart.


CURRENT PROJECTS IN DEVELOPMENT
Nina Reyes and the Feeling Machine(feature film)
Sundance Feature Film Development Track (advanced to 2nd round), Stowe Story Labs, BendFilm Basecamp
The Feelings Project (proof-of-concept short)
In post. Seeking funding for feature (above).
Dirteater (proof-of-concept short for feature)
Funded by Milagro Theater
AWARDS, RECOGNITION & COMMUNITY
Recognition
Selected to shadow Debra Granik on the set of Leave No Trace. Named a Woman of Vision by the Oregon Daily Journal of Commerce. Recipient of OMPA's Inspiration and Service Award for work helping to bring equity to state film incentives through HB 3010.
Grant Awards
5 Regional Arts and Culture Council grants, Portland Art Museum, Milagro Theater, 2 Seeding Justice grants, Oregon Futures Lab, Story Changes Culture, Prosper Portland Post Production Fund. Nominee for the inaugural Lynn Shelton grant.
Community Leadership
Vice Chair of Portland Panorama Film Festival, Advisory Council for Lesbian Culture Club. Member of Film Fatales, Women in Film, OMPA, and the Catalyst Film Collective.
Mentorship & Teaching
Mentor for Women in Film Educate/Incubate Program. Mentor for Soho Portland 2026 Mentorship Program. Creative Mornings talk: Bawl or Nothing. BIPOC Filmmaker training for Desert Island Studios. Native Arts and Culture Foundation film camp instructor. Guest lecturer on fundraising with Kickstarter.

